On Air On Soaps' Michael Fairman chatted with Jonathan Jackson on what viewers should expect to see with his return as Lucky Spencer.
MICHAEL: I mean, you wouldn’t be back if there was not a major emotional story for Lucky?
JONATHAN: Oh, yeah! There is going to be great intense material. I don’t know long term, but I do know what the audience knows in terms of Elizabeth and Nikolas. There are only certain limited places they can go, and that will get intense at some point. I look at that as a set- up, where it can go anywhere… and the relationship between Lucky and Luke. Tony and I have had some great scenes that feel like re-establishing something. Again, I did not watch the other versions of Lucky, but for me it’s picking up where I left off ten years ago, but now as an adult. There is a lot of interesting chemistry going on there. Then there is Ethan. I have only had some group scenes with him, and there is a lot of potential for story there…and again, with him being a con man and Lucky being a detective. Lucky is Luke’s son, so he has a dangerous side to him that could potentially take him either way, when it comes to that stuff.
Sounds like Ethan better watch out.. READ MORE
Soap vixen Lynn Herring dished with On Air On Soaps' Michael Fairman about her thoughts of the status of daytime and former alma mater, General Hospital.
MICHAEL: So while you were finishing your run on As the World Turns, sadly, Guiding Light concluded. I was wondering what your feelings were, stepping back in to this genre at this very tumultuous time? What was that like for you?
LYNN: I had lunch with Jane Eliot (Tracy, GH) and we discussed how the audience was so articulate about Guiding Light and how much they loved the show and were so sad when it ended, and that on GH, Mafia and bad violence has turned people away. The networks don’t get that our viewers are so intuitive and smart. Even GH people, who had never watched GL and are faithful to their show, understood what it meant to lose a show like that. Daytime is a lot classier than people think, and it hurt to be back on daytime and see what has happened in the genre. I love this genre!
I thought it was a brilliant story. I felt like we built our relationship in a way that people would believe that Layla did not know Fish was gay. I did not want to play dumb. I think she did not want to believe it, even if all the signs were there. I think she believed she fell in love with a really good guy who treated her well. She has never had a successful relationship, and she finally found a guy who she wanted to be with and who wanted to be with her, or so she thought. I was happy for Scott Evans [Fish], and I loved working with him. I knew it would reach a lot of people, so it was worth all the tears Layla and I had to shed.
Here is the thing; I know I am on in eight episodes in November and then the truth is, I sort of disappear. My six-month contract is up. And I really want to support the gay community, and I want the gay community to support me. I would like the gay community to write to CBS and say, ‘We want a gay character on the air,’ and I want to be that.
So how did you find out the final nail in your version of Lucky’s coffin?
It was a bit of shock and there was a call that was made. I went in knowing one of three things; A) I was going to be fired, B) I was going to be put on recurring, C) There was a story coming. But usually your executive does not call you with a story, that is usually done by your head writer, and that only happened once to me in seven years. So I sort of prepared myself going in to it and going in just at ease and peace. It’s not what you want to hear, but if you go in knowing you are a little bit more reserved, and that was my approach. READ MORE
On Air On Soaps' Michael Fairman caught up with some of The Young and the Restless' stars, including Kristoff St. John, Daniel Goddard, Sharon Case and Adrienne Franz, at the recent World Magic Awards, where they spoke out on co-star Eric Braeden's contract issues.
KRISTOFF: I think that no comment is the best policy to take when other actors are going through contract talks. I don’t believe Eric Braeden will leave the canvas as the character of Victor Newman, but if he does, it would be sad to see him go at such a critical time in the show’s history. We have a guaranteed two years left on network television. I think in order to survive and to get another contract and licensing agreement out of CBS, the wise decision would be to get him back. Is it the wisest decision for Eric to accept the terms of the contract? I don’t know, and I cannot comment on that. It would be a huge loss to the show and the audience worldwide. READ MORE